Hollywood has long been obsessed with Russians and Soviets playing baddies, and recent films show that the end of the Cold War clearly did not mean the end of Russian villainy.
Arbitror sees the world neither as a monolithic “big picture” nor as disparate parts, but instead as an ever-changing network of ideas, actors, and transnational forces.
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Hollywood has long been obsessed with Russians and Soviets playing baddies, and recent films show that the end of the Cold War clearly did not mean the end of Russian villainy.
The significance of Kristallnacht—a turning point in global history—paints a fearsome picture for its 2018 doppelganger.
Like any policy, war powers much be considered within the context and era they are used.